Far from the confines of his studio, an American kids program creator wandered the maze of MIP-TV in Cannes last April and learned firsthand how a children’s show can be perceived by buyers from different regions. He shares his tale in this report, and KidScreen explores the cultural differences that programming executives are on the lookout for when buying for kid viewers in Scandinavia, Australia, Germany, Latin America and France.
Scandinavia page MIP-6
Australia page MIP-8
Germany page MIP-12
Latin America page MIP-14
France page MIP-17
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