- BBC chief content officer’s wide-ranging Edinburgh talk dove into public broadcasting, freelancer issues and more (Variety)
- Roblox has turned kids into little video game developers, and there is growing concern that they’re being exploited (WIRED)
- After getting flack for lack of progress, Disney has revealed plans for its revamped Splash Mountain ride (Entertainment Weekly)
- Netflix is planning a three-hour virtual fan event with clips from many new shows and movies (CNET)
- Black Widow has made US$125 million online, according to Disney (BNN Bloomberg)
- The US box office could miss out on hundreds of millions, thanks to several kids movies moving to on-demand (Numbers)
- Aardman is expanding its Wallace and Gromit AR experience to more cities in the US and UK (Campaign)
- …And TikTok is building its own augmented reality development platform (Tech Crunch)
- The PAW Patrol movie brought in US$13 million at the US box office this weekend (Deadline)
- The Addams Family 2 is the latest animated flick to get a simultaneous theatrical and on-demand release (The Hollywood Reporter)
- Netflix’s UK content head has plans to tackle diversity, disability and local programming (Variety)
- …But in a quest to handle discoverability, has the streamer leaned too hard on clickbait content? (Slate)
- For the second year in a row VidCon has been cancelled due to a rise in COVID-19 cases (Variety)
- Fortnite’s liberal “borrowing” of Among Us‘ format may give us a peek at its future strategy (The Verge)
- If you’re headed to a Disney park any time soon, be ready for sentient robots (New York Times)
- Meghana Reddy’s journey from Chenai to sought-after visual development and 3D artist for Netflix and Hulu (The Hindu)
- YouTube is driving more toy purchases than broadcast TV, according to a new study (Toy News)
- Toys “R” Us has a new comeback plan, and this time it needs a little help from Macy’s (Fast Company)
- CES is returning in 2022, but all attendees will need to be vaccinated (Digital TV Europe)
- Toys that mimic the sensation of bubble wrap are all over TikTok (Wall Street Journal)
- A bit of déjà vu: Movie studios are pushing theatrical releases due to COVID-19 concerns (The Hollywood Reporter)
- Companies are using this time to rethink offices, and so far that means less private space (Digiday)
- Mattel has finally added its first female Hot Wheels Monster Trucks driver to its new tour (Toy News)
- OnlyFans is trying to shake its adult image with a new OTT app focused on fitness, cooking and comedy (Digital TV Europe)
- Hotel Transylvania 4 is skipping theaters in favor of a US$100-million deal with Amazon (Variety)
- …And Amazon Prime Video might be at a big turning point (Vanity Fair)
- The Chinese government has acquired a stake in TikTok owner ByteDance (Washington Post)
- Meet Chryseis Knight, the eloquent seven-year-old who is about to publish her first book (Toronto Life)
- WarnerMedia’s Cartoonito preschool block is set to launch on September 13 (Animation Magazine)
- Toys will likely be in short supply at Christmas this year, so consumers should start shopping now (The Guardian)
- Disney’s Free Guy beat box-office expectations this weekend, but theaters are still in a bad spot (Variety)
- Bullied kids are turning to the online world for offline friends (New York Times)
- Amazon has pulled its Lord of the Rings series out of New Zealand, which could have huge repercussions for the country (Variety)
- How Nickelodeon developed its eclectic animation style (The Ringer)
- Remember Mattel’s Barbie Penthouse Airbnb? You can now buy it for a cool US$10 million (Forbes)
- TikTok is adding more privacy protections to its app for teenage users (Tech Crunch)
- Marvel is looking at making “multiple” new animated series (Variety)
- Disney said it would revamp its Splash Mountain ride to remove racist imagery…a year later nothing has changed (Forbes)
- YouTube and YouTube Kids are adding safety measures to make kids’ video uploads private, and remind them to take breaks (AdWeek)
- Scarlett Johansson’s lawsuit has opened a can of worms on how stars are compensated in the streaming era (Wall Street Journal)
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